Though he was working a decade after the movement "ended" Ermanno Olmi's films have all the hallmarks of Italian neorealism even though he claims his film style is a response to (and rejection of) Italian neorealism. That is absurd on it's face, but not the same type of absurd as Il Posto. Olmi's 1961 film is a coming of age tale that the director claims is semi-autobiographical, though we've heard that before. True to life or not, Il Posto is true-to-life with all the hilarity and disappointment that comes with life.
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