La Strada

It's clear that by the time he made 8 1/2 Federico Fellini was self aware enough to not only claim that all his films were autobiographical (as he always had) but to recognize more meaning in that and start to use them as a way of poorly apologizing to his wife Giulietta Masina. Part of this week's conversation focuses on whether or not he'd reached that point when he made La Strada in 1954.

Of course, there's also the fact that when I started to take Fellini at his word that his films are autobiographical is when I really started to have a problem with him.

At least Masina is great.

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