We really, really loved our last outing from Jacques Becker. Le Trou stands as one of the pinnacles of non-horror suspense films we've seen. It was also Becker's final film, so perhaps we should assume that his earlier work would be less impressive.
We return to Becker this week with a period piece based on a real historical love triangle involving a woman with blond hair and some members of the notorious Parisian street gang Les Apaches. Wikipedia's article on the gang contains an image of what it claims is a commonly used weapon, Pat and I talk about it this week, but for those of you looking for better mental image of it, have an actual image of it.
Casque d'Or (1952) suffers for not including that gunthing. It suffers for some other reasons, too. Maybe it just suffers for not seeming as innovative as Becker's other work. Maybe the fact that it is a base criminal love story is why it's so interesting as a Becker work. Though there's also that final sequence to redeem it. Maybe.