With Salvatore Giuliano (1962) Francesco Rosi strove not just to make a biopic of the famed Sicilian outlaw, but to make a neo-realist docu-drama. Pat calls it a proto-History Channel special, and there's strong comparisons, but Rosi's film goes beyond that low bar. One because the film is simply so expertly shot, but also because unlike, say, Ancient Aliens, Rosi sought to only include the facts as he could verify them, ultimately, then, interrogating the official story and making a highly politically-charged thriller.
If only it were a memorable one. In a comment on the official Criterion page for the film friend of the show Keith Enright of The Criterion Completion says: "Watched and unremembered. Time to rectify?" and as Pat and I get into in this week's episode, we can't be sure of when Keith made that post, but either of us could have said the same thing after watching the film twice in less than a week. There are bits that stick, but the whole just doesn't hold together for us.