Symbiopsychotaxiplasm

William Greaves’ 1968 Symbiopsychotaxiplasm puts the experiment in experimental film. The documentary inside a documentary inside a third documentary, shot in public, essentially boils down to the director seeing how far he can push his cast and crew before they revolt — not violent push, but still an antagonistic one. It’s fascinating and absurd and wonderful. And I suppose it could be all fake.