Another great episode where halfway through talking about it we finally start to understand it fully. I Fidanzati (1963) is a film about memory: how memories shape what we’re perceiving in the present, and how our feelings in the present affect how we remember things. Ermanno Olmi is brilliant, no doubt, and the way the flashbacks in this film playout were extremely influential. (And also entertaining, which is just bonus I guess?)
Though he was working a decade after the movement "ended" Ermanno Olmi's films have all the hallmarks of Italian neorealism even though he claims his film style is a response to (and rejection of) Italian neorealism. That is absurd on it's face, but not the same type of absurd as Il Posto. Olmi's 1961 film is a coming of age tale that the director claims is semi-autobiographical, though we've heard that before. True to life or not, Il Posto is true-to-life with all the hilarity and disappointment that comes with life.
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