We here at Lost in Criterion are firmly on board with any and all films of Henri-Georges Clouzot. He is a master of suspense in many forms. Quai des Orfrevres, his 1947 police procedural and the earliest of his films we've seen in the Collection, is no exception, even while the central crime fades out of importance and the entirety of the suspense instead rests on just how our lovable protagonists are going to find a happy ending, or at least the happiest ending possible given the circumstances and their certain PTSD. They do find it, though, which I think technically makes this a comedy. Though so do the actual very funny moments.