In our second Moral Tale we find another jerk being mean to another woman, but this one has a bit more substance perhaps. It still doesn’t really work for us, but hey whatever. The Criterion releases for each Moral Tale just full of material and Suzanne’s Career also brings us an opportunity to watch and discuss Nadja in Paris (1964), a short clearly meant to encourage American high schoolers to study abroad. Star Nadja Tesich is a delight, and the film is the first collaboration between Rohmer and cinematographer Néstor Almendros who will bring a certain watchability to the rest of the Moral Tales.
We kick off a boxset of Eric Rohmer’s Six Moral Tales with one starring Barbet Schroeder (who produces the entire series) as a jerk who mistreats a woman while his heart belongs to another. This is largely the basic plot of each of the Moral Tales, and if you find that statement reductive or dismissive then boydog are you not going to like any episode in this series. Still some of them connected better with Pat and I than others. But Bakery Girls wasn’t one of them.